"Qiao Tiangong" is the description and praise of those handed down masterpieces. The ancient Chinese jade carving products also reveal the exquisite and exquisite information. Compared with other sculpture art, because of the nature of the material, jade carving products have their own characteristics - round, smooth, dignified, delicate, transparent, etc., among which, mellow, smooth and delicate is the most prominent. The above characteristics, of course, do not exist in other arts and crafts varieties. From the development history of jade culture, jade carving products are regarded as handicrafts or art works, especially those excellent jade carving works, which fully demonstrates that in the production of jade carving works, the process should occupy a very important component. For example: Hongshan culture jade, Yangshao culture jade, Liangzhu culture jade, Longshan culture jade, until the Spring and Autumn, the Warring States, the Western Han Dynasty, the Eastern Han Dynasty to the Ming and Qing dynasties, all of them are craftsmanship and exquisiteness for our descendants. It reproduces a profound cultural context and builds another ancient history. This is a unique Chinese jade history. The merits and demerits of "work" determine the success or failure of "art". The ancients "Jade is not awkward, not a device". One word tells the dominance of its craft. Without "work", there is no ": art", no "Work", there is no way to talk about "art", in terms of carving, "work" has played a major role. However, there is no conclusion as to how much to "squat". This is certain, but it must be embarrassing. As for the complexity of the process, the amount is not absolute, there is no data separately, the proportion is different, but varies from material to material and varies from person to person. Relatively speaking, it does not have a standard, it is even more impossible to have a law. Because of the complexity and change of life and thought, and also to satisfy and enrich the various needs of people and society, the way of expression and the way of crafts also show it. The diversity, complexity, and not a single, one-sided. At that time, the complexity and sophistication of the craft, the ideological theme and cultural connotation of the art revealed at the end reflect the comprehensive qualities of the craftsmanship, knowledge and cultivation of the Saitama people, as well as the full rationality of the materials, including the shape, color and texture. Use. All of this can only be demonstrated and demonstrated through the implementation of the process. Therefore, in the process of making jade carvings, there must be no “workâ€, but more reinforcement. Focusing only on the performance of materials, but neglecting the production of ideas and conceptual themes, such productions are superficial, lack of tempering and lack of scrutiny, lack of vitality, or no vitality at all, not worth promoting. "Art" is the need for people to "work" and continue to strengthen and enrich, and then to achieve, not a simple reproduction. Some of the beautiful shapes and strange shapes of stone made by nature, so-called ghosts and gods, they also have "work", which is the "work" given by nature. They go through a long and elaborate period of time, and they will be one by the time. A little bit carved and shaped. There is still no "work" in this area. Imagine that the collections of the Palace Museum have not been exquisite and exquisite craftsmanship. Is it worth living? Art works are created by human labor, which carries information about the formation and development of social civilization. It is the crystallization of human culture, the symbol of social civilization, the wisdom of no one, and the emergence of art. Artistic reproduction is not a simple problem. Simple techniques are difficult to meet the deep artistic needs. Cultural thoughts should not tend to return to the original. The pursuit of material sense and pursuit of appearance, the craft will be faded, and the lack of exquisite and fine jade carving Products will be difficult to carry information about social civilization and human culture. From the perspective of viewing, jade carving works or handicrafts can be divided into various forms. One is carved, the theme is clear, and it is clear at a glance. Whoever sees it understands what is being expressed in the East Fourth, what subject matter, what is thought, However, the process helps us solve the problem of viewing and understanding. The second is uncut, naturally forming materials. The raw materials themselves can be ideal collections, ornamentals, images, and abstracts without any completion. Most of the varieties are unclear, giving more uncertain factors and revealing the original charm of the species. The third type is those that are carved and shaped, abstract, and mysterious. They use abstract artistic language to express people's thoughts and consciousness. As mentioned above, due to the arbitrariness and meaning of the meaning of such works, it creates different associations and ideas for people's ideas and thoughts. Different forms, different connotations, the same form, different connotations, different people will come to different conclusions, the same person can also produce different results, different time and place, can also draw different conclusions. These are different because of different perspectives, different ideas, and different conclusions. It can make people imagine, people are cloudless, no direction, art tends to be unclear, ideological is not strong, art concept is vague, because of the lack of craft, so the abstract Dongsi is limited, revealing the concept of art is not clear, The senses are not strong, the feelings are not profound, and the extent and scope of appreciation are limited. Or from the "Jade is not awkward, not a device", this word, I thought it contains two aspects: one is carving, using handcuffs, the second is thinking, using thoughts. We often say that "thinking and pondering" means this. Only by combining these two points, and through repeated thinking and scrutiny of a piece of jade raw material, and applying exquisite craftsmanship, the artistic aspect of jade carving works may be fully demonstrated. From the relative concept, we can see that the word "ç¢" is relatively ambiguous, the eagle is swearing, the viewer is swearing, and the word here is not only a problem for the sculpt, but also the soul of the creator and the viewer. Interaction, exchange of ideas between the two sides, emotional communication. Everything is done with excellent jade carvings with exquisite and exquisite craftsmanship. "Art" is now due to "work", "work" gives "art" inspiration, and crafts combine to promote artistic creation. In ancient and modern China and foreign countries, the history of the development of art works shows the same law, and the history of the development of jade culture is no exception. 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